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Wolfshead

                Wolfshead+1


Wolfshead is a period term for an outlaw. (Robert Wolfshead, July, 1992, pg. 15)


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Lammas Barns Workshops,19th-20th August  2006

              A two day Rune Workshop event led by Rig Svenson

An opportunity to take part in a two day workshop on this powerful and fascinating ancient system of communication and divination. By the end of the weekend you will have acquired a good knowledge of the runes and their origins, your own set of personally carved and consecrated rune sticks and be versed in how to use them for divination purposes.


Workshop Review by Anneliese©

I wonder what you imagine when you think of a ‘workshop’; a draughty hall, some limp sandwiches, and a speaker who first picked up a book on their subject last week? Many of us have suffered this kind of experience.  However, occasionally, if you are fortunate, you will find yourself in beautiful surroundings, with lovely food, good companions and a speaker who has spent years exploring their subject.  Rig’s workshop at Lammas Barns was one of the latter variety.

Day I

Scholarly Rune Books, Rune Sticks & Compass

The first day began by examining the history of the runes.  Rig keenly researches his subject, using primary sources and the work of respected academics. If there is no precedence for it in archaeology or history Rig does not teach it: for Rig believes it is vital to pass on an ancient tradition, not invent a new one.

After lunch we sang the runes, despite having had an interest in the subject for sometime I had never come across this idea before.  Rig’s argument for this is that it increases the quality of the rune itself, and is mentioned in literature contemporaneous to runic development.

After this Rig provided us with all the materials we needed to make our own rune sticks. He handed out wooden sticks in neat bundles of twenty-four and a small craft knife to each member of the workshop. Then we began the satisfying task of carving our own runes sticks.  As we carved and sang to our runes, Rig regaled us with Norse legends and answered our questions.

Baltic Amber

Day II

For the first part of the morning we continued to carve our runes, then when this had been completed we painted them with red ochre.  After the ochre had dried we blooded them, and as we blooded our runes we sang their names.  Rig had commented earlier that although the blooding was not compulsory, it made the runes more powerful.  Everyone in the group that I spoke with found this to be the case, and certainly the runes I produced possess a resonance that I have never equalled in the shop bought product.

Having produced the runes we tried a basic reading.  Rig’s method for reading runes differs from the methods found in most New Age books.  He uses a casting method, which draws from runic tradition rather then using spreads that were originally developed for the tarot cards.  Even though most of us had never used this method before, and these were new tools, we all managed to get an accurate reading.

After lunch Rig conducted a Seidr exercise, group meditated whilst Rig drummed to a trance beat paving the Road to Hel, which affected the group in different ways; two people entered a trance state whilst the remainder experienced a light form of meditation.  I personally entered a deep and enjoyable meditation, enjoyable because although I had never experience a drum meditation before, I felt able to enter deeply since I was confident Rig would bring me back if necessary.  However, if I used this method again I would favour lying down so I could relax more fully.

Rig’s workshop has changed my attitude to working with runes and the magical processes in general.  Previously I have been unsure of making my own magical tools for fear they were not of high enough quality, and whilst I am still no master craftsman I now feel the energy imbued in the hand made object outweighs any aesthetic ‘rough edges’.  Furthermore, Rigs workshop has underlined for me the importance of approaching one’s deities in a manner as close as possible to a pre-existing tradition.

Hela the goddess of Helheimr©

How then can I sum up Rig’s workshop?

Whilst he is undeniably an excellent a speaker, as the workshop progressed he became a guide, teacher and friend, who challenged those involved to re-evaluate their spiritual practice and its methodologies.


Music:- Cavatina Artist: Ana Vidovic


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                                      2005 Rig Svenson ©